I Want to Learn Tok Pisin. What Do I Do?

The most commonly spoken language of the country in the world with the most languages, Tok Pisin is a language that unites Papua New Guinea and its manifold ethnicities. My first English Creole Language, Tok Pisin was described by a friend of mine as “Jamaican Patois that seems completely unintelligible to the native English speaker”.

Let’s head over to Glosbe, a fantastic resource that combines the dictionary and sentence database in many languages of the world, and look at a sample sentence to see how much of it you can understand:

“Em i nambawan gutpela pasin bilong laikim ol narapela, olsem God Jehova yet i kamapim.”

Rendered by the English translation as:

It is the highest form of love, as exemplified in Jehovah God himself.

But try looking at it this way:

“Him is number one good fellow fashion belong like him all ‘nother fellow all same God Jehova yet is come up him”

And let’s try the sentence after that (I looked up “love”  in Glosbe and that’s where I’m getting these sentences from)

6 Ol gutpela wasman i wok strong long tingim olgeta wan wan sipsip long kongrigesen.

(6 Loving Christian shepherds endeavor to show personal interest in each sheep in the congregation.)

Rendered literally:

“Six all good fellow watch man is work strong long think him altogether one one sheep sheep long congregation”

If you’re learning a language from the developing world, as thing stand, you’ll encounter a LOT of materials for Christian missionaries. Tok Pisin is no exception to this.

Tok Pisin is a fascinating language and the first one that I acquired a C2 level in (which is denotes being able to understand pretty much everything and use very, very well). My interest was sparked in it as a result of my father’s travels in Papua New Guinea (in Port Moresby and Madang in particular).

Various opportunities that Tok Pisin provide include:

  • A growing community of L2 learners from throughout the world, and not just in Oceania.
  • Fascinating music that is very homemade but also unforgettable and honest.
  • News reports and radio in Tok Pisin that portray the manifold struggles of what it is to be a developing country right now.
  • If you do live in Australia or nearby, many employment opportunities (especially if you work in medicine or similar fields).
  • Even if you don’t live in Australia, translators for Tok Pisin and other languages for Oceania seem to be fairly sought after!
  • Travel opportunities in the PNG heartlands.

So let’s introduce you on how to start the journey, shall we?

For one, a book I would highly recommend for beginners is the increasingly available Lonely Planet Pidgin Phrasebook, which includes Tok Pisin and its grammar explained in detail, not also to mention cultural notes, as well as other sections in that book on Bislama (Vanuatu) and Pijin (Solomon Islands)

These two languages, while more closely related to each other, are also more closely related to English and use slightly more complicated prepositions. In Bislama the verb system has an element of vowel harmony as well that Tok Pisin doesn’t have. Bislama also has more French influence than either Pijin or Tok Pisin. Tok Pisin also has notable German influence as well, and so to say “even though” or “it doesn’t matter” you say “maski” which is a form of “macht nichts” (“never mind”, or “don’t do anything”)

German missionaries were in the process of standardizing Tok Pisin and spreading its usage but then World War I happened which through a wrench in the whole process. (Yes, Germany had a colonial empire in that area of the world, Nauru also was one of their holdings as well).

Anyhow, the Lonely Planet Book doesn’t have a dictionary but will provide very useful phrases as well as the most essential and clear grammar guide that you can ask for.

The Live Lingua Project also has its own Tok Pisin textbook that is written in more detail.

After that you can put “Redio Tok Pisin” into YouTube and rehearse your skills, not also to mention various materials for governments, industries and yes, missionaries:

An essential resource as well as is a Tok Pisin Memrise course that has 2400 words which are essential for having fluid conversations. This course was ESSENTIAL for me becoming fluent in the language. You can find it here: https://www.memrise.com/course/135215/tok-pisin-2400/

(You can access this course from the desktop and then if you connect the Memrise app to your account, you can access it [and all other user-made courses] in the app as well).

I also have the Anki Version of this course as well (ask me if you want me to send it to you).

What’s more, Tok Pisin also has a “website” (https://www.tok-pisin.com/).

Other resources would include Wantok Niuspepa, the one Tok Pisin Language newspaper still remaining in Papua New Guinea and EMTV Online (which broadcasts smaller things more readily accessible for beginners).

You’ll notice that in some materials, especially distributed in cities or towns, that there is a bit of a “hopping” between English and Tok Pisin, and the usage of English is, obviously, spreading. That said, Tok Pisin is still a very important element of PNG culture and still the most commonly spoken language in Papua New Guinea.

Lastly, Wikipedia has a Tok Pisin edition at: https://tpi.wikipedia.org/wiki/Fran_pes

Keep in mind that while native speakers of Tok Pisin exist, most speakers of the language will speak it fluently as a second language (as some people of Papua New Guinea may also know English). This means that already you have a chance to be on equal footing with most people who speak it.

Mi hop olsem bai yu laikim Tok Pisin tumas! (I hope you will like Tok Pisin a lot!)

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How to Anchor Your Languages to Your “Mentors” So as to Avoid Mixing Them Up

A friend of mine, an English / German / Spanish / Japanese / possibly other languages I forgot / possibly I taught him a few words of Hebrew once asked me to write this post. Thank you, Mitch, with great wishes for your continued success!

Do YOU have a topic you’d like me to write on? Let me know!

I’m recovering from an illness so I hope that this will be good nonetheless.

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Many people have told me that they sometimes intend to say one thing in one language and end up saying something in another, or otherwise the general mix-up that many polyglots, even veterans, know all too well.

Believe me, even native speakers sometimes suffer from this. This is why code-switching is a thing, as well as the fact that many people from India / Oceania / Israel / Northern Europe / American Hispanics mix in English with their native languages. Even in the Arab world this is common with French words instead (in various Arabic varieties spoken in former French colonies, such as with Lebanese Arabic).

That said, there are some people who feel as though they have an “unhealthy dosage” of it, to the degree in which they want to speak Hebrew or Japanese and then Spanish comes out instead, not also to mention those who study similar languages may also suffer from this as well.

Here comes the solution:

Among “dialect continuum” areas (in which the boundaries between languages are unclear and there is a large amount of variance between a language as spoken in a particular country or geographical area), as well as areas of the Internet dedicated to the culture of these areas, you’ll notice something: some people flaunt their national flags with what could almost be described as aggression.

There’s a reason that Norwegian flags are commonly featured on clothing (especially coats and winterwear), and that’s to distinguish their wearers from Swedish or Danish people (the former of whose language closely resembles spoken Norwegian and the latter of which closely resembles the written variety).

In Crown Heights, which I believe is the largest Afro-Caribbean expatriate community in the world, I see Jamaican, Trinidadian, Grenadian and Barbadian flags (among others) VERY commonly. The reason why? So that people don’t mistake them for one from belonging to one of the other nations (despite the fact that many of them share many aspects of culture).

Listening to music from Melanesia, I’ve noticed that a lot of music from Vanuatu tends to show the Ni-Vanuatu Flag in the thumbnail and Solomon Islands music does the same. Bislama and Pijin (their national creoles) resemble each other very closely.

What’s the point I’m trying to make here?

The same way that these people anchor their native identity with imagery and mementos, YOU need to be doing that with the languages you speak as well.

The first time, which is the easiest one, is find “mentors” for each of your languages. No, I’m not saying “go find a private tutor for each one”, but rather a certain native speaker or a set of native speakers whose voice you tend to imitate most. These could be friends, radio hosts, YouTubers, or even voices from an online app.

Here are some of the “mentors” I’ve had:

  • The Irish Language Transparent Language Voice
  • My Welsh-Speaking Friend named Ivan
  • The Vincentian Creole Bible-Redux Narrator (from a set of mp3’s I got from a Bible site that one time. Yes, a lot of them mention Jesus; no, I am not Christian nor do I have any intention of being un-Jewish).
  • A number of Swedish-Language Let’s Play-ers who deserve an entire post written about them (coming soon! And no, PewDiePie is not one of them. I’m glad that he’s brought awareness about the Swedish language and culture to many fields of popular discussion but he crossed the line too many times last year. Also, he uses a lot more English than Swedish in his videos.)
  • Too many of my Yiddish-speaking friends to count, but if I had to pick one it would be Baruch, probably the one I spend the most time with (we attend a lot of the same events).

For your native language, you sort of don’t have any choice for your mentors—they were your parents or guardians. But for languages you learn in adulthood you’ll need to find “adoptive parents” for them.

Obviously if you have a LOT of friends who speak the language (as is the case with languages like Yiddish and Polish for me), your “mentor” will be sort of a blend of all of them although mostly the influence of one or two will overshadow all of them.

I couldn’t imagine Baruch speaking Vincentian Creole English (although maybe one day he’ll learn it, I have no idea). Similarly, I can’ t really imagine the “Vincy” narrator speaking Yiddish or even standard English for that matter (although the latter I would imagine he certainly would know).

Another thing that you very much can do is have different vowel and consonant textures for your languages. Once you get a mentor for any language and start imitating him or her, this will come naturally. Think about the automated voices in your language course—how do they pronounce “a” or “l” differently from the way you do in your native language? Investigate these feelings in detail and mimic them accordingly.

People who are often praised for their accent often do exactly this, and note the differences as to what they hear between speakers of various languages. Once you get good at it, you’ll even be able to keep extremely close languages separate. While I encounter with dogged consistency people who mix up Spanish and Portuguese way too often (precisely because they haven’t gone through this), I can keep straight German and Yiddish, the Scandinavian Languages, and very similar Creole languages—granted there are rare occasions in which I mix them up, but overall I’m in a good place because my “mental discipline” is very honed.

We all have separate identities. Jared the teacher is very flamboyant but he has to tone it down when he’s Jared the student. Similarly, you’ll have to do the same with your languages—allot each one a different set of feelings and a role, as well as, most importantly, ways of talking.

Happy learning!

Learning Similar Languages: What Can Go Wrong and What Can Work

 

One of the biggest issues I’ve seen with most novice language learners (and, being completely honest with all of you, most language learners, especially in the English-speaking world or with languages that are not English, stay novices permanently for a number of reasons) is the issue of learning similar languages.

Specifically, the issue of the Romance Languages comes into play often, and people scramble the vocabularies of Spanish, Portuguese and sometimes even Italian sometimes quite often.

To be fair, I’ve haven’t been COMPLETELY immune to this (for example, between German and Yiddish or between the Scandinavian Languages or similarly related Creole Languages). However, I found myself better equipped to handle this issue than most.

And there IS an easy way around it, and it has to do with emotional attachment to your target languages.

For most people, Spanish is an easy, useful language closer to English and Portuguese is an easy, useful language close to that one. But I’m curious if you asked them about what sort of native-speaker material or culture they genuinely associate with either of these cultures, what would you get?

I’ve put Portuguese on pause for the time being (and have for about a year now), but Spanish (despite my guarded antipathy towards popular languages) is something I associate with spunky YouTube channels and my experiences with my Spanish friends during my year in Poland. Sometimes the occasional Juan Magan song comes to mind as well. The language has a distinct flavor in my mind that I anchor with particular things, not phrases in Duolingo.

Here are some other anchored flavors for languages that are HEAVILY related to other languages that I know:

  • Danish: my time in Greenland, Rasmus Seebach, a host of ancient traditions and experiences I’ve had with Danish-speakers, Denmark’s animated film industry, THAT PRONUNCIATION OMG.
  • Tok Pisin: fiery opinion pieces in Wantok Niuspepa, Daniel Bilip, my Dad’s memories of Port Moresby, documentaries involving the police and the “raskols” (truly heartbreaking and 100% the fault of colonialism and aftershocks from World War II)
  • Trinidadian Creole: Proverbs, Calypso Music, my neighborhood, very memorable comedic sketches and talk shows, notable Indian influence in comparison to much of the Caribbean.

Most people don’t have any emotional reasons for learning and usually have an abundance of logical reasons or, worse, choosing a language because it is a combination of easy and/or useful.

Yes, it is possible to develop an emotional connection after the fact, but don’t try to bend your desires to what the world wants (the world is crazy enough as is and it doesn’t need another follower, please!)

Even if you do choose to pursue something for logical reasons, you’re going to be more drawn and put more time into things that make you feel better. I really, really like Swedish and Tok Pisin, French or Spanish not so much. Until that changes (if it ever does), improving my Swedish or Tok Pisin is going to be the path of least resistance and not only would I put more time into it but more of it would stick (which is even more important).

So you’re probably wondering what this all has to do with learning related languages?

If you have distinct flavors for each language, the possibility that you mix them up is going to be minimal. I don’t associate Norway’s country-music-infused pop hits with any other place, and Stockholm beats only belong in one place, regardless of how similar these languages may be. I’ve associated these languages with very different feelings and places in my brain and this is why I, at this juncture, virtually NEVER mix them up.

To not mix up languages, you need to collect experiences with them and anchor them in that language.

Interestingly, concerning the creoles of Melanesia, Bislama material on YouTube tends to involve a lot of Ni-Vanuatu flags, and Solomon Islander material uses the Solomon flag even MORE, thereby ensuring through a natural mechanism that I can anchor my material in Bislama and Pijin with their appropriate categories.

When people mix up languages or speak something like “Portuñol”, it’s a sign to me that they haven’t anchored their experiences in enough real-world happenings (or entertainment, for that matter). And that’s okay, as long as you take concrete steps to fix it.

I think that parents of twins may have no problem keeping them apart by virtue of the fact that they have different emotional attachments to each twin. You’ll have to do something similar.

Don’t be discouraged! Keep working!

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How Do You Self-Evaluate Your Language Learning?

How do you know what level you’re at in a language you’re learning or that you speak?

Yes, you could take tests, but what if the language you’re speaking is from a developing country or has no standard written form? What then?

For one, in the United States I evaluate myself readily and I call myself fluent if I can do the following things:

  • Speak about my life with ease without awkward pauses for fifteen minutes or longer
  • Understand a good mixture of songs, radio broadcasts, TV shows and YouTube without issue
  • Can sight-read articles with relative ease
  • Have a convincing accent to MOST people. (Some Israelis think I sound like a “Sabra” but not all)
  • Have cultural resonance in some capacity.

Interestingly the most important component is the 5th one. Allow me to explain what it is: my heritage is Ashkenazi Jewish (Hungarian + Russian Empire) and Swedish / American blend (the American side having largely Irish / German / English / Scottish). I have connections to languages like Hebrew, Swedish and Yiddish because of my heritage.

But something inside me is also amused by Vanuatu and, despite the fact that I have no ancestry from there and have had no family members that travelled there, I see Ni-Vanuatu culture as something that calls to me, for some odd reason. Because of that, I listen to Bislama-language radio very often as well as Ni-Vanuatu music (which often features guest stars from Vanuatu’s cultural siblings, Papua New Guinea and the Solomon Islands).

Anyhow, another thing I do is I also attend language events. This is in order to evaluate my progress as consistently good as well as detect any issues that my vocabulary may have. Granted this tends to serve the most popular languages like Spanish the most often but every now and then I get chances to use languages like Yiddish, Norwegian, Hungarian and Burmese. If I leave thinking that I may need to work on something related to grammar, general flow or word choice, then I’ll have to work on it.

Another thing I do is, on weekends or on days in which I have completely free, I will set aside four to six hours to rehearse each language, usually through hearing (because what you hear translates to your speaking style in any language. Keep in mind that active listening is NOT an absolute substitute for actually speaking. If you’re learning a rarer language and have no access to native speakers, you NEED to use your MOUTH! Even by yourself or with recording software!)

Right now I’m noticing that I’m focusing more on my fluent languages than newer ones for a number of reasons. Part of me is considering putting huge swathes of my beginner languages on the cutting block right now, actually.

If I understand absolutely everything (as is the case, for example, with languages like Bislama and Danish) then I will mark them down as “very good”. If I have some kinks in understanding them (as is the case with languages like something like Burmese or Polish) then I’ll focus more on them when I’m using Anki in the subway system during my commute (or when choosing which music I have to listen to when walking or in a crowded subway car). If I understand very little (which I realize for a language like Kiribati where I’m almost at the intermediate plateau with) then I will mark it down with an emphatic “NEEDS WORK”. I’ll write up a memo as to where my weaknesses are and determine a solution catered to it specifically.

Keep in mind that this is a continuous process. I’m fluent in Bislama but that doesn’t mean that I can neglect it for years on end and expect to be dropped in rural Vanuatu and expect to be speaking Bislama perfectly. I used to be good at Russian but I neglected it during my time in Poland and after several years I could barely answer any basic questions. I’m still not that good at it anymore.

I’m willing to move languages both up and down on my fluency ladder. What is C2 on my website is being able to understand virtually EVERYTHING and speak without floundering when I’m at my best.

Keep in mind that if I’m in a debilitating situation (jetlagged, starved) then it’s not going to be a reflection of my truest capabilities. That’s another thing to keep in mind because sometimes I dwell on “messing up” at events like Mundo Lingo, or I get vexed when I hear ignorant comments about my languages or my language choice (as, sadly, happens often there. I’m seriously starting to re-evaluate if people who speak multiple languages really ARE more open-minded. No doubt language hobbyists are, however).

Anyhow, the most important thing to realize is that every language you learn throughout your life is a process.  There is always something new to discover and you have to savor every step of the journey, even if you falter.

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DETERMINATION.

I Want to Learn Jamaican Patois…But HOW?

 

First off, anyone wanting to learning Jamaica Patois is a brave fellow (or fellowette?) and deserves praise. Because trust me, even in the language-learning world, there are NOT a lot of people that look kindly on it.

First off, what exactly is Jamaican Patois? Let’s turn to Wikipedia…IN Jamaican Patois!

(from jam.wikipedia.org)

 

“Wi a-chrai mek Patwa wan a ‘i Wikipidia languijdem. No Jamiekan Ingglish, Patwa. Nof a ‘i piejdem we rait aredi de ina Jamiekan Ingglish, a no Patwa. Jamiekan Ingglish a we muos a wi chat ebi die. Patwa a ‘i raa baan ting we unu griet gran muma did chat, we tiicha did biit unu fa ah se “Speak Properly!”. Wah nex ting tu, a nof dayalek de ina Jumieka. Rait aatikl ina fi yu dayalek. Piipl wi andastan an iwi ton standad suun. Dis ya we mi a-rait a ‘i Wesmolan dayalek.”

 

Jamaican English is an everyday language that stands in stark contrast to the “raa baan ting” (raw born thing). In this paragraph you can see that it is associated with ancestry (“griet gran muma did chat” = “great-grandmother spoke”) and shame (tiicha did biit unu fa ah se “Speak Properly!” = teacher beat all of you saying “Speak Properly!” unu -> all of you).

Even today, Creole languages, especially English creoles, suffer from undeserved derision, despite the fact that music in these languages is popular in every corner of the globe and many cultures associated with these places have influenced Anglophone culture on a very deep level. Virtually every American knows something about Jamaica in particular, much like many of them would know something about Japan or France.

The journey with Carribean Creoles for me is an interesting one and one that really shows to test how open-minded people really are.

Some language-learning events, especially free ones, have a problem. There are language enthusiasts (like me and my friends) and there are also people who happen to be bilingual or speak multiple languages on account of their UPBRINGING rather than their hobby. Most of the former tend to be open-minded explorers who share stories, the latter aren’t too different from the general population (in the respect that all levels of curiosity and open-mindedness, or lack thereof, exist among them. The nastiest things I’ve heard about my choice of languages have actually come from bilingual and “polyglot wannabes”.)

And no language in my repertoire gets a mixture of either scorn or admiration as much as Jamaican Patois does.

 

Anyhow, inspired by my followers (as I often am), I opened up for questions about how I learned Jamaican Patois and how I’m continuing with it.

For one, a multitude of free apps exist which can help for building vocabulary in a small sense but they are NOT substitutes for learning how to speak.

That would largely go to this book, which I know isn’t accessible to everyone, but when I showed it to a friend who had no knowledge of German she actually found it astonishingly useful regardless:

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You can purchase this book on Amazon and find it in bookstores around the German-speaking world, I also think that sellers in areas of the UK and US may also have it.

Another thing that I should also mention is the fact that having learned Krio of Sierra Leone beforehand definitely helped. Krio is further away from Standard English than Jamaican Patois is, and it also really helped me realize what sort of differences would exist in usage between Jamaican and English.

Let’s give some examples:

 

“we” is an all-purpose relative pronoun, “that”, “who” or “which”

Juwish piipl frahn Spien ahn Puotyugal we a ron frahn di “Ingkwizishan,”

Jewish people from Spain and Portugal WHO ran from the Inquisition.

 

You can use “fi” in order to indicate ownership. Works similar to the English word “for”

“mi” can mean “my” but also “fimi” can mean “mine” or “belonging to me”

 

Plurals are different:

Wan bwai -> tuu bwai

(One boy -> two boys)

OR

Di bwai dem (the boys, literally “the boys them”)

 

“Se” is used like “that” in English, as in “I said that you are doing a good job”. Krio and Bislama share the exact same usage.

Also, given the dialectical fragmentation of Jamaican Patois (note that the paragraph above mentions it!), no rule is absolute, and you’ll dance between standard English and Patois forms with regularity depending on who you’re talking with. It’s very much something you’ll need to get a sense for but your best bet is to imitate native speakers. Features present in some communities’ Patois may not be present in others.

Also, Wikipedia and various missionary translations into Jamaican Patois have also helped to significant degrees. It’s telling that religious organizations pay more attention to many languages that most global corporations don’t even give a second thought to.

There is Swiftkey Keyboard in Jamaican Patois as well, but its predictive text function, as of the time of writing, is off.

Omniglot.com also has useful websites in many regards including a newly-added phrase page for Jamaican Patois.

What’s more, a bit of a warning: there is no standardized form of Jamaican Patois (as noted in the first instance of the language at the top of the page) so you’ll need significant exposure to a handful of sources in order to get a good grounding in something consistent.

 

And here also comes another important question: how do you get native speakers to speak it with you?

For one, contrary to popular belief, the Carribean Islanders I have encountered have been VERY thrilled to hear me “chat Patwa” (full disclosure: I’m visibly white, but there are also white and Asian Jamaicans as well who speak fluent Patois from birth. The “out of many, one people” motto is important to Jamaican national identity and virtually every Jamaican knows many aspects of their quilt-history which ties together elements from all corners of the globe).

One issue is the fact that often I encounter people who are second-generation and, as a result, their knowledge of Patois is confined to something more passive. But that’s okay. This is not your fault, this is a fault of creole-shaming present in this world at large in general and I think, to some degree, it’s also found in a lot of these island countries as well (not just in places like the U.S. and Canada).

Obviously one thing you really can do in order to build your “cred” in order to fully feel like a “yardie” would be to (1) use proverbs you’ve heard (Carribean Islanders, much like Slavs, very much value proverbs and sayings and use them in their speech. Each of the nations has their own collection that is very foreign to the other islands. That is to say, Vincentians or Trinidadians may not understand Jamaican proverbs, and vice-versa). (2) If you don’t have proverbs, look online or ask your Jamaican friends for some. Even if they don’t have proverbs, they may actually have SOMETHING to share with you.

Especially with Jamaican Patois, a key element is to think in phrases, not individual words. If you are a native speaker of English, you have a HUGE advantage because you already think in “chunks” in English rather than individual words and you can transmute that way of thinking into your newly forming Jamaican Patois as well.

Much like the struggle I had with Solomon Islands Pijin, in which Pijin and English are juggled in a lot of content produced in the Solomon Islands, Jamaica has an interesting situation as well. Except for even more so, because with the English Creoles of the Carribean some people will change registers IN THE MIDDLE OF SPEAKING. It’s a bit like speaking TWO LANGUAGES AT ONCE and it takes time getting used to. (The fact that this happens so much gives fuel to the dialect side of the dialect-versus-language debate, but I think that the dialect side really only serves no purpose other than to discourage study of these cultures so I’ll put that out there plainly).

Also, don’t worry that you’re “making fun” of their language at all. I hear Jamaican Patois more often on the streets of New York than Japanese or Italian. Also friends of Jamaicans pick up Patois as well (and this should be no surprise to anyone. A lot of these “why speak their language? Won’t they just make fun of me or use English?” are…limiting beliefs that deserve to be pushed out. A lot of it is in your head.

Have YOU learn Jamaican Patois or another Carribean Creole at any point? How did that go for you? Let me know!

In My Opinion, These Five Countries Have the Best Contemporary Music (November 2017)

 

I’ve tasted music from well over FIFTY different countries and at least that many languages

I’m sorry to say but, after having tasted music in a lot of the rest of the world, it seems to me that contemporary American music more often than not seems uninspired, shallow and formulaic. Granted, other places do have their share of bad music as well, but ever since college I’ve been looking abroad for musical hits and I’ve never, EVER looked back.

As of late 2017, here are the countries whose music of contemporary times (1980’s to the present) have left me significantly impressed and have changed my life. I also judge primarily for lyrical content as well as for how often I find myself humming or thinking about these tunes when I’m away from any music player or while walking in a field or down the street.

Here we go!

 

  1. Finland

 

One month from today this fascinating country will celebrate its 100th birthday!

It seemed to me in 2013 that I would just learn enough Finnish to “get by” during my venture to meet the local Jewish community in Helsinki and I would promptly forget it. Fate had other plans…

After having discovered a website that offered Finnish Language music 24/7 shortly after my trip, I got hooked. Finnish remains one of my favorite European languages and many of the song lyrics and tunes have been a potent look into what Finnishness (“Suomalaisuus”) entails.

That website, by the way still exists, and it comes with complete song ID’s for everything that plays during a 24-hour period. Check it out, it may prove fun even if you don’t speak or understand any Finnish at all: http://www.radiosuomipop.fi/

 

  1. Solomon Islands

 

I know what you’re thinking, maybe some of you have visibly said “WHAT?!!?” out loud, but Solomon Music is unbelievably refreshing and heartfelt. What’s more, a lot of the music does tend to mix together standard English, Pijin and many of the local languages of the Solomons.

Let’s give it a listen, shall we?

 

 

By the way, I asked Dezine how their name was pronounced and they said it was pronounced “de-ZYN” (my understanding is that it’s a homophone with the English word “design”). Yes, I’m FB Messenger contacts with one of the best known musical acts in a country on the other side of the globe. Long story.

 

  1. Myanmar / Burma

 

I still distinctly remember the withdrawal I suffered when I went back from Yangon to New York City and the music I hear from boom boxes and smartphones was noticeably different and not in a good way. Even in very poor regions of the countryside (in Bagan I noticed that this was particularly common), I heard farmers using their smartphones to play music that seemed as though it was vaguely inspired by Chinese pop ballads and classical British radio hits.

Did I tell you about the time I found 100+ Burmese-language songs for $10 on the iTunes store?

https://itunes.apple.com/us/album/greatest-hits/id1222130595

There are totally no American, Russian or Chinese cover songs anywhere in that album. Nu uh. No way. [/s]

I also hear that many aspects of the punk music scene in Myanmar have been essential in ensuring inter-ethnic dialogue and reconciliation, especially important given current events throughout the world but especially in Myanmar.

 

  1. Iceland

You can’t have a landscape like that and not have it inspire you on a very primal level. Sometimes I listen to bland music in grocery stores and at parties and then I listen to the likes of  Ásgeir Trausti and Rökkurró and I am thereby reminded that there is plenty of originality left in contemporary music, more than many people may give it credit for.

I think that every American alive will probably recognize this tune from somewhere:

And my love of Icelandic rap is literally no secret to anyone who knows me at all. Did I mention I got to see Emmsjé Gauti in concert the day before the Polyglot Conference? Be forewarned: he does demand a lot of audience participation in his events! (He even had an 8-year old boy from the audience join him on stage and sing the chorus to one of his songs!)

 

Honorable Mentions:

 

Papua New Guinea

I played a family member some songs from Daniel Bilip the “nambawan hitmaker bilong PNG”. I have a distinct memory of nearly having the phone and the earphones yanked out of my hands when I tried to take it back (the music was THAT addicting!)

 

Trinidad and Tobago

Trini Carnival music is adrenalin in mp3 form. And that’s a very good thing for me. Also, in case you can’t tell, Trinidadian Creole is heavily utilized in these songs, in ways elude the understanding of the average English speaker.

 

 

Israel

At the Hebrew University in the Ulpan I have memories of doing “group singing”. They are very good memories, but the songs are plenty times more memorable.

 

 And now for the coveted no. 1 spot…(that is no surprise in the slighest to anyone who knows me…)

 

  1. GREENLAND

 

Thousands of songs throughout my life, dozens of CD’s, and the most moving music in my life has almost consistently come from one place.

 

 

Greenlandic music tends to contain poetry and musical elements that capture the magnificent feeling of the great beyond in ways that other places’ music just CAN’T.

Ever since I began studying Greenlandic in 2013 (and despite my meager progress), I listened to Greenlandic music and couldn’t get enough. A lot of the styles encapsulate the essence of the many feelings of the human experience.

Some songs have been so beautiful that when I’m listening to them on the subway staying composed is a difficult task.

My personal favorites include Nanook, Rasmus Lyberth and Marc Fussing Rosbach (who just so happens to be the author of a lot of the music for my upcoming video game). I had the chance to meet both Nanook and Marc during my Greenland trip in October (and narrowly missed Rasmus!)

And even if pop ballads and game music isn’t your thing, Siissisoq (“The Rhinoceros”) has come out with literally the best heavy metal I’ve ever heard in my life, and in recent memory they got back together after what was nearly a two-decade hiatus. (I do NOT attribute this to the fact that I wrote a fan letter to the lead singer shortly before hearing this news!)

I’ve written about Greenlandic music in detail elsewhere on this blog, have a read about it here and expect your life to be changed completely.

 

 

The Hardest Things about Learning English Creole Languages

As a teenager I constantly wondered if there were languages closer to English than any of the national languages of Europe I’ve heard were closely related (anything Scandinavian, Dutch, Romance Languages, Afrikaans [despite not really being European in a full sense] etc.)

Turns out they DO exist, not only in Scots but also with English Creole Languages, of which there are many spanning multiple continents. So far I’m fluent in five of them, and my Jamaican Patois book is in the mail (I’ve decided that I’ll be focusing only on Hungarian and Lao as far as new languages are concerned until I’m fluent in one of them, but it occurs to me that given how similar “Jamaican” is to Trinidadian Creole and Salone Krio, I may be inclined to make an exception for it because it wouldn’t be a source of active stress).

I really look forward to learning Jamaican Patois however much of a “snail ride” it is.

However, as much as I sometimes make it out to be that way in conversation, learning English Creole Languages isn’t always very easy.

There were unique challenges they presented that I haven’t seen in the other clusters of languages I’ve focused on (e.g. Scandinavian, Celtic, and soon Southeast Asian and Pacific!)

Let me tell you a bit more about them:

 

  • Slurring and Very Quick Speech is Common to Many Creole Languages

 

After all, Creoles are highly efficient!

Hopping from your phrasebooks or your textbooks (yes, textbooks exist for English Creole Languages, particularly for the Peace Corps) to the “real world” of that language is a difficult task.

The clear words that you saw on the page may be jumbled in ways you didn’t even think possible. Entire syllables will be left out and you’ll need to train yourself. At first it will be like “did you get the general idea?” but then you’ll learn to manage well enough.

The clearest versions of the Creoles tend to exist (1) on radio and TV (2) in materials for missionaries (who partner with native speakers in order to tell stories about Jesus or Biblical characters or what-have-you) and (3) governmental notices that have been localized (often developed countries assist with these productions, also using voice actors who are native speakers or fluent local speakers). These may act as a “gateway” to you understanding your dream creole in its full form the way the locals do.

I’ll give you one example: Solomon Islands Pijin uses “blong olketa” (belonging to them, belonging to all of them, of them, etc.) You may hear it pronounced as “blokta”. And that’s one example of hundreds.

  • Speakers of some Creole Languages often use Standard English On / Off in their speech, making it difficult to get a “consistent” stream of it in some areas of Creole-speaking countries.

 

Trinidadian Creole forms the future and past differently from English. There is also no such thing as a passive verb. (These are all things my book says). It’s close enough to English that some people, even Trinidadians, don’t even believe it is a separate language.

Despite that, especially among people who have specialized in medicine or engineering or something similar, you’ll hear a pattern in which they’ll hop between Standard English and their Creole without even thinking about it. This isn’t unique to English creoles and it is called “code switching”.

It may leave you confused. If I used too much English or too little English, what will happen? What sort of situations should I use this much English in? Will I come off as rude?

These are all questions you’ll get a “feel” for and there are so many right answers depending on the community in which you use these languages.

Much like with languages from countries in which English is commonly spoken (e.g. Swedish, Dutch) you’ll have to learn how to mirror how English loans and phrases are used in conversations. Imitating native speakers is your best bet (after all, that’s how we all learn our first language!)

And then, sometimes, you have the opposite problem…

 

  • Speakers of some Creole Languages often throw in words from their own native languages you may have never encountered before. This is especially common in music.

A non-existent problem on the radio and TV, this can be an issue in music especially (or if you’re overhearing conversations).

The Creoles of Melanesia and Africa are poised between the native languages and the European languages and have to dance delicately between them (the Carribean Creoles don’t have this dynamic, although they, like the African and Pacific English Creoles, are a fusion between the many languages that the African slaves spoke and understood but in a version that would be comprehensible to the slaveowners.)

Because of this, the people who write the comprehensive dictionaries (even if they’re native speakers of these languages themselves) can’t always keep up. My Yiddish teacher told me that Yiddish was like learning five languages in one (German, Hebrew, Polish, Russian and Ukrainian). These creoles are sometimes like learning many, many more of these in one (although their vocabulary loans are more lopsided towards English than Yiddish is towards German).

It’s not uncommon for songwriters singing in Melanesian creoles to hop into their native language or Standard English while singing their creoles in between. Here’s an example:

Related to that is…

  • Some speakers of Creole Languages may have their pronunciation altered due to the phonemes of their native language.

 

As a native English speaker, I have to be careful with my accent in speaking many other languages and I sometimes have to work on it a lot. If I don’t, it may cause a significant amount of discomfort in native speakers who may then be inclined to switch to English if they’re lazy enough (which, sadly enough, most people are).

But imagine if your native language is spoken by 2,000 people on your island somewhere in the Solomons. You will primarily use Solomon Islands Pijin and English to communicate with other people at home and abroad respectively. But you don’t really need to worry about perfecting your accent in Pijin because back from its earliest days on the plantations in Queensland people spoke it with whatever accent they used from their native language. That’s largely still the case (although there are people who speak these Creoles as their native language, Creoles by definition have to have large enough vocabulary to be a mother tongue of someone, that’s what makes them distinct from Pidgins).

The downside? You may hear some vowels, phonemes and individual words mutating in ways you didn’t even think possible. You may hear some basic phrases change into something that is only borderline recognizable to you. Some accents in these creoles can be so difficult that you may actually draw blanks during some areas of a conversation. But as long as you know how to respond with ease and / or get the context, that’s okay.

That’s an issue that primarily comes up when dealing with the spoken language (so when having conversations or watching artistic productions, on radio broadcasts these languages tend to be used as clearly as possible).

 

  • In Some Contexts, You May be Better Off Using English

 

Feel free to disagree with me on this one if your experience says otherwise.

Alas, there are some people in countries where Creoles are spoken that may look down on their local creoles as languages of the uneducated or peasants. In the case of the Caribbean creoles it could be that, depending on context, your attempts to speak their language may be construed as making fun of their accents.

Much like Yiddish was seen throughout a lot of its history as a language that was inferior to both German and the languages of the Bible and the Talmud (and sometimes seen as the language of “women and the uneducated”), in some areas this view of the Creole language can still be present. Interestingly in an age of mass language death this may be changing and there will no doubt be thousands of fluent speakers of these creoles who will be WILLING to practice with you.

Suffice it to say that, despite that, learning the local language is always a fantastic idea. Keep in mind that Standard English plays a role in each of the places where these Creoles are spoken – it’s not like it’s genuinely foreign to people who live in Jamaica or Vanuatu or Sierra Leone. Not at all.

The many languages of these places all play a different role, but the Creoles truly echo the local cultures in unison because, for a number of reasons, they ended up being the languages around which these countries would unify when they became independent. And they continue to play important roles (not a single one of the creoles I’ve mentioned here is endangered, although Trinidad and Tobago does also have this other French creole language that seems to be quite weak as of the time of writing).

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Here’s hoping you meet success in your journeys, wherever they take you!