An Afternoon with Jared Gimbel: Your Questions Answered!

Happy 4th birthday, World With Little Worlds!

To honor all of my readers and those who have provided me praise and constructive feedback throughout the years, these are your questions, answered with love and consideration by yours truly.

 

What do you look for in a mentor?

Five things:

  • Someone who opens doors rather than closes them.
  • Someone who doesn’t pull emotional hot-buttons or regularly cause me to feel distressed, downtrodden, or discouraged.
  • Someone who, when I am done meeting with him or her, makes me feel elevated and ready to enter my life with renewed motivation.
  • Someone who acknowledges the progress I have made in addition to that I have yet to make.
  • Someone who isn’t over jealous or guarded of me.

How learn any language from scratch in my own?

The first thing to ask yourself is how much you can PRONOUNCE, how much you can READ (and understand what you’re reading), and how much you can UNDERSTAND. Depending on which combination of the three you have, your approach will have to be different. However, the more prior knowledge you have in a related language, the easier it is to get “lazy”.

Generally, I would start with “hello, how are you? What is your name? My name is… Where are you from? I am from…” and then go onto “I have, you have…” “Do you have…?” and then the same with “to want”, “to go”.

I’ve spoken about this in the interview I did with Luke Truman of Full Time Fluency a few months back:

This should help.

What was the catalyst for your interest in languages of the Pacific in general and Palauan in particular?

Climate change in the case of Oceania in general, a childhood fascination with that area of the world, and, in the case of Palau, the sound of the language as well as how it looked on paper. Oh, and the flag. Who could forget the flag? As a kid I could look at it for hours. Okay, maybe I’m exaggerating.

How much Japanese do you understand with your Palauan knowledge?

Same as how much Latin you would understand from English.

Apart from Yiddish and Hebrew what other Jewish languages have you studied?

A tiny bit of Ladino in college and a handful of words from Jewish Languages of Azerbaijan in the early 2010’s, but aside from that, pretty much nothing seriously.

Have you ever looked into Krymchak or the Udmurt-influenced dialect of Yiddish?

Now I may have to!

When studying Breton, do you prefer the artificial French-influenced “standard” or one of the dialects?

The KLT (Kerne-Leon-Treger ) variety used in the Colloquial Breton book and in the Kauderwelsch book is my go-to. It seems fairly consistent with what is used on Wikipedia although there are some songs that have “curveball” elements for those overly accustomed to KLT.

Apart from Northern Sami, Finnish, and Hungarian, do you plan on learning any other Uralic languages?

I never say I won’t plan on it. Right now I do feel “overloaded”, however.

When you were in Israel, did you encounter any Circassians or Hungarian Jews? If yes, did they speak their ethnic languages?

Possibly and yes respectively. My Hungarian was limited to a few words in 2009 but my efforts were appreciated. What’s more, do keep in mind that I had heavy limiting beliefs about language learning back in those times. Odd, because my experience in the Ulpan should have actively proved those beliefs wrong.

How often do you encounter peoples of the Pacific in real life apart from the times you actually go there?

Hawaiians about once every three months or so, same with people who have been expatriates in places like Fiji and Samoa. Aside from Hawaii, Australia and New Zealand, I haven’t met anyone in person from Oceania yet. That will change this year, I hope.

Will your RPG “Kaverini: Nuuk Adventures” be playable in Greenlandic?\

I’m going on record: YES.

Have you ever written poetry in the languages you learn?

I believe I did once or twice in Yiddish at the National Yiddish Book Center. I also have done improvisational singing in Tok Pisin. I may have also written a piece or two in Hebrew while at Wesleyan University but I have no recollection of it. I did write an absurdist play about talking jellyfish in that same Hebrew class that makes most internet memes look tame by comparison.

How do you deal with the blurry boundary between cultural appreciation and cultural appropriation?

Cultural appropriation is, in my view, taking one element of a culture (let’s say, clothing) and claiming it as your own without having a basic understanding of where, why and how that culture or cultural element exists.

If I were to wear a national costume in public with holy significance, that would possibly be breaching a boundary in that culture that I may be unaware of. But obviously me wearing a shirt with a Greenlandic flag on it despite not being Greenlandic or Inuit (or any Native American at all) does not make me a cultural appropriator. It is a mark of solidarity and appreciation.

On this note, I would like to say for the first time that I am fully aware of the fact that there are people who are prepared to call “Kaverini: Nuuk Adventures” cultural appropriation despite the deep involvement of actual Greenlanders at every stage of its production. I look at the Greenlandic story as a whole in a way that contemporary American pop culture and its sad legacy of cartoonish national caricatures will probably never do otherwise.

If you would prefer Greenlandic culture would remain a virtually unknown mystery in much of the rest of the world instead of appreciated for the wonderful slice of the human story that it is, then I have nothing to say to you.

What was, to you, the most easily graspable non-Latin orthographic system in any non-L1 language you’ve studied? What was the least?

From Easiest to Hardest:

  1. Greek
  2. Cyrillic
  3. Hebrew
  4. Canadian Aboriginal Syllabary
  5. Arabic
  6. Lao
  7. Burmese

Have you ever SAVED SOMEONES LIFE with language?

The answer is: yes. And surprisingly, my own. Several times.

For one, my decision to become a tutor of several languages actually ended up saving my life. Shortly after graduating from JTS, I fell ill for a while. My own parents, who hold medical degrees, misdiagnosed me several times.

What ended up saving my life was one of my students of Swedish, who casually recommended based on my symptoms that I had Lyme Disease. Thanks to his suggestion, the disease was caught in time and my life was saved.

There is also the story about how Greenlandic saved my life, but I will relate that in future interviews when “Kaverini: Nuuk Adventures” is released. There is a specific reason I chose Greenland as the setting for my first video game (well, one of several specific reasons) and one of them in particular may come as a shocker to many of you.

Speaking of which, I’m going to continue doing character sketches for Nuuk Adventures right now!

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Happy Birthday, O Beloved Blog of Mine!

How to Anchor Your Languages to Your “Mentors” So as to Avoid Mixing Them Up

A friend of mine, an English / German / Spanish / Japanese / possibly other languages I forgot / possibly I taught him a few words of Hebrew once asked me to write this post. Thank you, Mitch, with great wishes for your continued success!

Do YOU have a topic you’d like me to write on? Let me know!

I’m recovering from an illness so I hope that this will be good nonetheless.

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Many people have told me that they sometimes intend to say one thing in one language and end up saying something in another, or otherwise the general mix-up that many polyglots, even veterans, know all too well.

Believe me, even native speakers sometimes suffer from this. This is why code-switching is a thing, as well as the fact that many people from India / Oceania / Israel / Northern Europe / American Hispanics mix in English with their native languages. Even in the Arab world this is common with French words instead (in various Arabic varieties spoken in former French colonies, such as with Lebanese Arabic).

That said, there are some people who feel as though they have an “unhealthy dosage” of it, to the degree in which they want to speak Hebrew or Japanese and then Spanish comes out instead, not also to mention those who study similar languages may also suffer from this as well.

Here comes the solution:

Among “dialect continuum” areas (in which the boundaries between languages are unclear and there is a large amount of variance between a language as spoken in a particular country or geographical area), as well as areas of the Internet dedicated to the culture of these areas, you’ll notice something: some people flaunt their national flags with what could almost be described as aggression.

There’s a reason that Norwegian flags are commonly featured on clothing (especially coats and winterwear), and that’s to distinguish their wearers from Swedish or Danish people (the former of whose language closely resembles spoken Norwegian and the latter of which closely resembles the written variety).

In Crown Heights, which I believe is the largest Afro-Caribbean expatriate community in the world, I see Jamaican, Trinidadian, Grenadian and Barbadian flags (among others) VERY commonly. The reason why? So that people don’t mistake them for one from belonging to one of the other nations (despite the fact that many of them share many aspects of culture).

Listening to music from Melanesia, I’ve noticed that a lot of music from Vanuatu tends to show the Ni-Vanuatu Flag in the thumbnail and Solomon Islands music does the same. Bislama and Pijin (their national creoles) resemble each other very closely.

What’s the point I’m trying to make here?

The same way that these people anchor their native identity with imagery and mementos, YOU need to be doing that with the languages you speak as well.

The first time, which is the easiest one, is find “mentors” for each of your languages. No, I’m not saying “go find a private tutor for each one”, but rather a certain native speaker or a set of native speakers whose voice you tend to imitate most. These could be friends, radio hosts, YouTubers, or even voices from an online app.

Here are some of the “mentors” I’ve had:

  • The Irish Language Transparent Language Voice
  • My Welsh-Speaking Friend named Ivan
  • The Vincentian Creole Bible-Redux Narrator (from a set of mp3’s I got from a Bible site that one time. Yes, a lot of them mention Jesus; no, I am not Christian nor do I have any intention of being un-Jewish).
  • A number of Swedish-Language Let’s Play-ers who deserve an entire post written about them (coming soon! And no, PewDiePie is not one of them. I’m glad that he’s brought awareness about the Swedish language and culture to many fields of popular discussion but he crossed the line too many times last year. Also, he uses a lot more English than Swedish in his videos.)
  • Too many of my Yiddish-speaking friends to count, but if I had to pick one it would be Baruch, probably the one I spend the most time with (we attend a lot of the same events).

For your native language, you sort of don’t have any choice for your mentors—they were your parents or guardians. But for languages you learn in adulthood you’ll need to find “adoptive parents” for them.

Obviously if you have a LOT of friends who speak the language (as is the case with languages like Yiddish and Polish for me), your “mentor” will be sort of a blend of all of them although mostly the influence of one or two will overshadow all of them.

I couldn’t imagine Baruch speaking Vincentian Creole English (although maybe one day he’ll learn it, I have no idea). Similarly, I can’ t really imagine the “Vincy” narrator speaking Yiddish or even standard English for that matter (although the latter I would imagine he certainly would know).

Another thing that you very much can do is have different vowel and consonant textures for your languages. Once you get a mentor for any language and start imitating him or her, this will come naturally. Think about the automated voices in your language course—how do they pronounce “a” or “l” differently from the way you do in your native language? Investigate these feelings in detail and mimic them accordingly.

People who are often praised for their accent often do exactly this, and note the differences as to what they hear between speakers of various languages. Once you get good at it, you’ll even be able to keep extremely close languages separate. While I encounter with dogged consistency people who mix up Spanish and Portuguese way too often (precisely because they haven’t gone through this), I can keep straight German and Yiddish, the Scandinavian Languages, and very similar Creole languages—granted there are rare occasions in which I mix them up, but overall I’m in a good place because my “mental discipline” is very honed.

We all have separate identities. Jared the teacher is very flamboyant but he has to tone it down when he’s Jared the student. Similarly, you’ll have to do the same with your languages—allot each one a different set of feelings and a role, as well as, most importantly, ways of talking.

Happy learning!